I, You, We: Video Sculpture, 2007
I, You, We asks the viewer to consider what happens when different records of the same event exist. How do we understand these slippages between the recordings and what was experienced? I, You, We presents both real time and historical video. This results in a compression of time, merging memories and complicating what we seem to remember seeing.
A Video Sculpture of Daily Life

To begin, power is provided to a computer, a set of hard drives, an HD or SD video camera and three screens. From there, custom designed software, created by Lincoln Schatz begins a series of operations that both record and play video files simultaneously. Depending on the location and activity around the artwork, there is the possibility of it recording thousands of files a day. However, not all of these files remain past twenty-four hours. As time goes on, the computer begins to randomly remove files from that days database. Like our own memories, creating gaps in time and narrative.
Each of the three screens is pulling files from databases of video saved at the end of each day that the artwork is turned on.